Posts Tagged ‘Tempo’

First, let me define rhythm and tempo. I want to do this because lots of dressage riders use those terms interchangeably and they don’t mean the same thing.

Rhythm – Regularity of the rhythm refers to the even spacing between each step in a stride of walk, trot or canter. Regular rhythm is a priority for all work–whether or not you’re riding a pure dressage horse. Movements and exercises should never be done at the expense of rhythm. Rhythm should always stay the same. Tempo or speed, however, is a different matter.

Tempo — which is the rate of repetition of the rhythm — can be adjusted, depending on what your horse needs. Think of rhythm and tempo this way: A waltz is always done in 3/4 time. That is the rhythm of a waltz. But a waltz can be played faster or slower. In other words, the tempo can vary.

When should you ride at a tempo that’s different from the one your horse chooses? Let’s take an overly fresh horse as an example. You start your warm-up, and this horse is so excited that he picks up a trot that is much too quick. The longer you let him go at this clip, the more his tension builds. Left alone, he probably isn’t going to slow down. He’s like an overtired child who is so wound up that he can’t quiet his mind or his body. He needs you to help him calm down by asking him to trot at a much slower tempo than that of his normal working trot.

Slow the tempo by asking for a transition to the walk (or even the halt!), Then, just as he’s about to step into the walk, don’t finish the transition. Instead, allow him to jog forward very slowly. Think about riding “halfway to walk”, and then jog forward slowly. If he accelerates after a few strides, repeat the incomplete downward transition until he understands and is willing to stay in the slower trot.

Ride him in this lazy tempo — the opposite of what he wants to do — until he relaxes. Once you feel him relax, gradually allow the tempo to become more normal.

On the other hand, let’s say you have a horse that tends to get too slow and labored in his tempo. For example, his canter becomes 4-beat because the tempo is too slow. Quicken his tempo by doing a few strides of a lengthening. Feel how your seat moves faster during the lengthening. Then when you shorten the strides, keep the same quick tempo by moving your seat “as if” you’re still lengthening.

So whether or not you’re riding a dressage horse, always work in a regular rhythm and a tempo that allows your horse to be in good balance.

Are you sick and tired of complicated and confusing training techniques? Are you frustrated by negative emotions like fear and lack of confidence? Would you like to be trained by a Three Time Olympic Coach? Learn how by going to: http://www.janesavoie.com/

Author: Jane Savoie
Article Source: EzineArticles.com
Get my ex back

Here is a question I get all the time about the riding your freestyle at home vs. riding your freestyle at a show

Question:

I have ridden my freestyle a number of times in competition. I have ridden it time and time again perfectly at home and know my music very well.

This is my question. I ride my test perfectly at home but when I get to a venue… I am ALWAYS ahead of the music!!! It’s not a big problem because I know the music so well that we can ‘adapt!!’ But I am never riding the same pattern twice! Is there an explanation for this? What can I do so that I know where I am going to end up in my pattern at a show or new arena?

Answer:

This is a very common problem. In fact, I had the same problem with my mare Dream Lady when I first started competition in the first level freestyle. I could also go through my test and pattern with the music over and over at home perfectly. Then when I would get to the show, I would find myself so much in front of the music I had time for an extra movement! After studying my videos from the show I realized that Dream Lady was GROWING at the horse show. Her adrenaline and eagerness at the show made the size of her stride increase… and not just a little. My solution was to reevaluate her pattern and match it to the size of her stride at the show and not to the size of her stride at home.

Having said that, you have to be careful to still strive for the horse’s PERFECT BPM and not create your music to a tempo that is too fast for your horse. In Dream Lady’s case, she was not actually going “faster” she was just increasing the length of her stride. In other words, she was still walk/trotting and cantering to the beat of the original music, but she was covering more ground with each step. That was why I was ending up so far ahead of my music.

Knowing this made it easier for me to create a pattern that was more appropriate for her. Then I KNEW where I would end up at the show and was not guessing and making things up as I went! Hope this helps… Ruth

Ruth Hogan Poulsen

http://www.Ruthhoganpoulsen.com

Ruth@Ruthhoganpoulsen.com

Author: Ruth Hogan Poulsen
Article Source: EzineArticles.com
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I often hear riders at the basic levels say that their dressage horses are collected. I assume they’re confused and are actually talking about connection as opposed to collection.

But since I run across this confusion a lot, I want to take some time to explain how to evaluate whether or not a horse is collected.

Many people think that when a horse is collected, he just takes shorter, slower steps. But you can shorten a horse’s strides without actually collecting him.

Think about three things in terms of collecting any gait.

1. The steps are shortened, but the rhythm and tempo stay the same as they were when the steps were longer.

2. The center of gravity must shift back toward the hind legs. That is, there is a loading of the hind legs. In nature, a horse has approximately 60% of his weight on his front legs and 40% on his hind legs. As you collect the horse, you gradually shift that center of gravity back to the hind legs. As a result, the horse begins to take more weight on the hind legs so his forehead can be lighter and freer.

3. When a horse is collected he bends the joints of his hind legs. As a result, his croup lowers and his forehand elevates. Look at the top of his withers and compare it to the top of his croup. In this balance, he’ll have the silhouette or outline of an airplane taking off, or a seesaw where one end is pushed down and the other end goes up.

It’s very important you don’t get fooled into thinking that a horse with a high head and neck carriage is necessarily collected. That’s because if the horse is “hand-ridden”, the rider can lift his head and neck up. But if the rider does this, the withers will stay low. And if the withers are low and the croup is high, there is no collection.

So when you evaluate whether or not a dressage horse is truly collected think about those three things–a shortening of the frame, a loading of the hind legs, and the relative height of the top of the withers to the top of the croup.

Are you sick and tired of complicated and confusing training techniques?
Are you frustrated by negative emotions like fear and lack of confidence?v Would you like to be trained by a Three Time Olympic Coach?
Learn how by going to: http://www.janesavoie.com/ or http://www.dressagementor.com

Author: Jane Savoie
Article Source: EzineArticles.com
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