Posts Tagged ‘dressage horse’

Dressage has long been seen as the most graceful of equestrian events and for good reason. The FEI dressage horses that compete at this level are trained to move gracefully across the arena performing complex maneuvers while the rider appears to give no cues and interferes very little in the actions of the horse.

The FEI rules describe dressage as “the development of the horse into a happy athlete through harmonious education. As a result, it makes the horse calm, supple, loose and flexible, but also confident, attentive and keen, thus achieving perfect understanding with his rider.” Dressage also means “training” in French and when properly trained, the dressage horse is capable of performing a variety of maneuvers while it appears that the rider is really just along for the ride. This level of harmony is best witnessed during the dressage competition at the FEI World Equestrian Games.

There are two types of dressage competitions at the World Equestrian Games. These are the Grand Prix and Grand Prix Special. During the competition, each horse and rider will perform the same test that consists of specific movements and gaits to be performed at specific points around the arena. The FEI dressage horse will be capable of demonstrating a very high level of achievement and the performance of the horse will match the description of the FEI dressage rules.

Each horse is tested independently before a panel of five judges. Each movement of the test is judged independently as well. The horse and rider team with the highest overall score wins the competition. However, if you really want to see an amazing dressage performance while visiting the FEI World Equestrian Games, then you won’t want to miss the Freestyle competition.

The Freestyle competition allows the rider to create their own pattern and choreograph it to music. There are specific movements that must be completed in the test, but the rider is able to determine when those movements will be performed and they can ride to the music of their choice.

You can witness dressage at nearly every equestrian horse show across the globe, but rarely do you have the opportunity to witness the best dressage horses at work. If you want to see what a truly professional dressage horse looks like, there’s no better place than the FEI World Equestrian Games when riders and horses from around the world come to compete for FEI World Cup in dressage.

The dressage portion of the Alltech 2010 World Equestrian Games will take place September 27th-29th and October 1st, 2010.

For more information about the world equestrian games and to find the best world equestrian games housing visit http://weg2010housing.net.

Author: Abbey Dale
Article Source: EzineArticles.com
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When the judges are listening to your music, what are they listening for? One of the most frequently asked questions I get is, “How do the judges evaluate my music?” I’m going to go over the guidelines that are given to the judges so you can be on the same page as they are. There are four categories that the judges must consider when listening to and watching your freestyle. They are:

1. Suitability
2. Cohesiveness
3. Editing
4. Phrasing and dynamics

Let’s go over them one by one.

1. Suitability – The actual definition in the USDF rulebook says, “The music matches and expresses the horse and the gaits.”

What does this mean? “Matching the gaits” means that the music tempo or beats per minute (BPM) is the same as your horse’s down beat in the foot fall pattern of the walk, trot, and canter. (For the upper levels, it must also match piaffe and passage.)

The downbeat of the measure (the one you tap your toe to) should match the down beat of your horse’s gait. For example, in the canter the main down beat of the right lead would be the third beat, when the right front hits the ground. If the judge can tap his toe to the music and it matches when the right front foot is hitting the ground in the right lead, then the tempo matches your horse’s gait.

Matching your horse’s “expression” can be a bit more subjective although it’s very obvious when it does NOT match. If you’re riding a big springy warmblood, then cute circus music is not appropriate. On the flip side, a smaller, more average mover would look even more average if he had a large piece of music. Large music may draw wrong expectations from the judges because of the depth of the music. Bigger music is not always better.

2. Cohesiveness is defined in the rulebook as, “Music that is linked by genre, theme or orchestration.” This means that the judges should easily be able to hear the connection between the pieces of music.

The music should sound as if it were one piece for all the selected gaits. The link could be music of the same genre, like jazz or rock and roll, or the same instrument could be featured throughout the piece.

The link could also be music from TV shows, or a movie series. In any case, the connection of the music should be obvious to more than just you. You may think that the connection is apparent, but ask a few friends if they “get it” before you finalize your selection of music.

3. Editing is defined as “Music that has a smooth flow; there are no abrasive cuts, transition or fades.” If you can hear a cut or clip in a piece of music, it’s not a good edit.

Remember that music has phrases. You should never cut or edit a piece of music in the middle of a phrase. It would be like leaving off the end of a sentence. You’d leave the judges hanging.

Imperceptible edits are seamless. Elements that play an important role in a good edit are pitch, key, and where the beats are in the measure.

4. Phrasing and dynamics-Phrasing is defined as “The way sequences of notes are grouped together to form units of melody; the expression of musical sentences.”

This means that a line of notes or measures are grouped together with a clear beginning and end, like a sentence. You should almost feel like taking a breath at the end of a musical phrase much like you would at the end of a sentence.

Dynamics are the variations of the intensity of sound such as the changes in volume and intensity that would help define a change in a movement. For example, going from working trot to a lengthening, or a collected trot to half pass would be more enhanced with a clear, dynamic musical change.

The judges don’t want to guess when your lengthening was supposed to start. They want to hear a clear change in the music, volume, or intensity.

Hope this helps get you on the same “page” as the judges!

Ruth Hogan Poulsen

http://www.Ruthhoganpoulsen.com

Ruth@Ruthhoganpoulsen.com

Author: Ruth Hogan Poulsen
Article Source: EzineArticles.com
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Saddles are usually made of wood, with the majority of saddles based around a structure called the tree, and the tree must fit the horse. Forget about cheap saddles. Why?

Because quite literally, you DO get what you pay for if you buy a cheap saddle. And it’s not just that you will be uncomfortable, but it will not make your horse all that happy either, and may actually do him harm. Ok you’ve tried cheap and figured out that isn’t the way to go. You’ve tried expensive and, well, that worked, but holy smokes are the prices ever high. So here are some tips on how to shop for your next saddle.

Saddles can be priced from several hundred dollars to more than $8,500 – specialty or antique saddles can easily range into the tens of thousands. You’re not going to be spending that kind of money, but you DO want to spend enough to get something decent and something that properly fits your horse. You will want to look for value, fit, fit and fit. Yes that’s right, the most important thing about your saddle is that it fits right. Look at it this way, if you had something that was too tight or too big, you would feel very uncomfortable.

Why would you want to saddle your horse with something that doesn’t fit? Before you go hunting, know the kind of saddle you want. Don’t just have a vague idea of what might work, – have in mind a picture of precisely what you want. Then hit the road and start looking for the right fit. The saddle must fit you, the rider. English or western, jumping or cutting, pleasure or gaming, you must be comfortable in the saddle all the time. You don’t want to be thinking about your saddle when you are riding. The right fit makes your saddle seem like a natural extension of your butt. If the saddle doesn’t fit your horse, no matter how great the price, it was too much to pay.

If you’re looking at ready-made saddles, then make sure you have the try it before you buy it option. If they won’t let you try it, don’t bother – after all you don’t need to ride the horse more than a few minutes to determine fit. And if you put a pad under it and handle it carefully, you won’t damage it. If the saddle is custom built, the saddle maker will want measurements of your horse in order to determine the proper tree, skirt lengths, gullet, etc. This is where you will be paying out good money.

Emphasize the good, because what you get will be precisely what you need, and what your horse needs. Having said that, the price must fit your budget. And just because your budget is low does not mean you can’t find a saddle that has a proper fit. It just means spending the time to find it. Try this: if you are ordering a custom built saddle, tell the saddle maker the highest amount you’ll pay, and then let him design to fit the budget.

Saddle makers can be very creative and stay within the budget. Or try buying a used saddle that FITS, and is eye-catching. That is often a better value than a new saddle. Are you into silver? Then only go with sterling because the silver-plated doodads and other imitations fade like crazy and are a waste of money. Just remember the saddle you want needs to FIT. That’s what you need and that’s what you want!

Sonia is a book reviewer, coach and author. Go to: http://dressage.ebooksgain.com for more exciting and interesting information on your passion!

Author: Sonia Dixon
Article Source: EzineArticles.com
DIY Wind Power

Learning to feel when your dressage horse is straight is always a challenge.

Probably the best way to learn to feel straightness is to always riding your horse in what’s called First Position. First Position isn’t an exercise–it’s just a straight horse that is bending the joints of his inside hind and carrying weight behind.

If you think of your horse as being on 3 tracks in shoulder-in, think of First Position as being the “thought” of shoulder-in or a very slight shoulder-fore.

If you were riding down the long side straight at a person, that person wouldn’t be able to see the outside hind leg because it would be directly behind the outside front leg. However, she’d see half of a hoof’s width (about 2 and 1/2 inches) of the inside hind hoof stepping to the inside of the inside front leg.

This is a VERY slight displacement of the shoulders toward the inside of the arena so in the beginning you’ll need a mirror or a ground person who can say, “That’s too much angle. That’s not enough angle. That’s just right.”

When you track with the your horse’s hollow side on the inside, you might have to counter-flex (-1) him FIRST before you ask the shoulders to come in. Otherwise, your horse will just bend his neck in, and his shoulders will still be glued to the rail.

Ride around in First Position on long and short sides, circles, corners. Then do some upward and downward transitions maintaining First Position before, during, and after the transitions.

Once you get used to the feel of how much angle your dressage horse has in First Position, you’ll know when he’s straight because any extra displacement of the haunches either in or out will feel weird or wrong to you.

Are you sick and tired of complicated and confusing training techniques?
Are you frustrated by negative emotions like fear and lack of confidence?
Would you like to be trained by a Three Time Olympic Coach?
Learn how by going to: http://www.janesavoie.com/ or http://www.dressagementor.com

Author: Jane Savoie
Article Source: EzineArticles.com
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I often hear riders at the basic levels say that their dressage horses are collected. I assume they’re confused and are actually talking about connection as opposed to collection.

But since I run across this confusion a lot, I want to take some time to explain how to evaluate whether or not a horse is collected.

Many people think that when a horse is collected, he just takes shorter, slower steps. But you can shorten a horse’s strides without actually collecting him.

Think about three things in terms of collecting any gait.

1. The steps are shortened, but the rhythm and tempo stay the same as they were when the steps were longer.

2. The center of gravity must shift back toward the hind legs. That is, there is a loading of the hind legs. In nature, a horse has approximately 60% of his weight on his front legs and 40% on his hind legs. As you collect the horse, you gradually shift that center of gravity back to the hind legs. As a result, the horse begins to take more weight on the hind legs so his forehead can be lighter and freer.

3. When a horse is collected he bends the joints of his hind legs. As a result, his croup lowers and his forehand elevates. Look at the top of his withers and compare it to the top of his croup. In this balance, he’ll have the silhouette or outline of an airplane taking off, or a seesaw where one end is pushed down and the other end goes up.

It’s very important you don’t get fooled into thinking that a horse with a high head and neck carriage is necessarily collected. That’s because if the horse is “hand-ridden”, the rider can lift his head and neck up. But if the rider does this, the withers will stay low. And if the withers are low and the croup is high, there is no collection.

So when you evaluate whether or not a dressage horse is truly collected think about those three things–a shortening of the frame, a loading of the hind legs, and the relative height of the top of the withers to the top of the croup.

Are you sick and tired of complicated and confusing training techniques?
Are you frustrated by negative emotions like fear and lack of confidence?v Would you like to be trained by a Three Time Olympic Coach?
Learn how by going to: http://www.janesavoie.com/ or http://www.dressagementor.com

Author: Jane Savoie
Article Source: EzineArticles.com
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When riding your dressage horse, it’s important to keep your hands in what I call the “work area”.

The “work area” is just in front of the saddle above the horse’s withers. Put your hands in that position and draw an imaginary box around them. That box is your work area.

No matter what rein aids you’re giving, keep your hands in the work area. If you bring your hands closer to your body, you steal power from the hind legs. If you put your outside hand forward, for example, you lose control of the outside shoulder.

If you raise or lower your hands, you break the straight line from the bit through your hand to your elbow. When you break that straight line, and there’s an angle where the rein meets your hand, the action of the rein stops there. That is, the action of the rein can’t travel through your arm and down your back so it can affect your horse’s back. It also can’t travel through the horse’s body and affect the hind leg on the same side.

Generally, many dressage riders tend to pull back by drawing their hands toward their bodies and behind their horse’s withers. If you tend to do that, here’s a simple tip to remind you to keep your hands FORWARD in the work area. Imagine there’s a basketball in front of your stomach. Keep your hands in front of the basketball. No matter how hard you try, you can’t draw your hands closer to your body because the basketball is in the way!

Are you sick and tired of complicated and confusing training techniques?
Are you frustrated by negative emotions like fear and lack of confidence?
Would you like to be trained by a Three Time Olympic Coach?
Learn how by going to: http://www.janesavoie.com/ or http://www.dressagementor.com

Author: Jane Savoie
Article Source: EzineArticles.com
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Some dressage horses don’t understand accepting contact with the bit and your hand. They are quick to go from coming above the bit to curling behind the bit. If that sounds like your horse, you need to be able to quickly and smoothly change your aids to help your dressage horse understand and accept contact.

When your horse comes above the bit, use connecting aids as follows.

1. Close both legs to send him forward toward a lengthening.

2. When you feel the “surge” of power coming from behind, close your outside hand in a fist to capture, contain, and recycle that power back to the hind legs.

3. If your horse starts to bend his neck to the outside, vibrate the inside rein to keep his neck straight.

As soon as he ducks behind the bit, send him “forward through his body”.

Here’s what I mean by that. Go on a circle in rising trot, close both legs and ask for a trot lengthening for 6 or 7 strides. Do this several times until it becomes a knee jerk reaction for him to go “forward over the ground” when you close your calves.

Then close your legs as if you’re going to do a trot lengthening, but don’t lengthen. This time you want your horse to go ” through his body” rather than “forward over the ground”. As you feel him go forward though his body and start to take a contact with your hand rather than curling behind the bit, praise him.

You might have to alternate a trot lengthening with asking him to take a contact with your hand several times. But once he understands, you’ll have a tool to use any time he comes too low in front.

This system works well for the horse that likes to go with his poll too low and his face behind the vertical, but if he’s curling so badly behind the bit that he’s ducking his chin toward his chest, you’ll have to be a bit more proactive as far as explaining correct contact to him.

If he’s curled behind the bit really badly, in addition to sending him forward through his body, you might have to raise your hands to place the bit out in front of him so he can step toward it.

The feeling is like putting a sheet on your bed. You lift the sheet up, and then let if softly drift onto the bed.

You can also think of it like doing “the wave” at a football game.

If you do have to raise your hands because your horse has dropped behind the bit, keep the following things in mind:

1. Always use your legs BEFORE you raise your hands.

2. Raise both hands evenly.

3. To the degree that you raise your hands, ALSO put them forward toward his mouth without losing contact. That is, if you lift your hands 2 inches, they must go forward 2 inches. If you lift them 4 inches, they must go forward 4 inches.

4. As soon as you’ve placed the bit out in front of your horse, put your hands back down. If you keep them up, he’ll curl behind the bit even more.

5. Keep a smooth, steady contact with his mouth throughout this whole process. Don’t let the reins get loose, drop contact with his mouth, and then snatch him up. That will discourage him from stepping toward the bit.

To sum up, for the dressage horse that alternates between coming above the bit and dropping contact to come behind the bit, smoothly switch from connecting aids to sending him forward through his body as needed until you’ve clearly explained the right connection to him.

Are you sick and tired of complicated and confusing training techniques? Are you frustrated by negative emotions like fear and lack of confidence? Would you like to be trained by a Three Time Olympic Coach? Learn how by going to http://www.janesavoie.com/ or http://www.dressagementor.com.

Author: Jane Savoie
Article Source: EzineArticles.com
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The name Sport Horse is given to type of horse rather than a particular breed of horse; it is a term to define a horse that will excel in equestrian sports such as Showjumping, Dressage or Eventing.

Sports horse breeders follow intensive breeding programs. The breeding goals differ from registry to registry, some more geared towards Showjumping others Dressage, Eventing or all-round top quality riding horses, this is reflected in the breeding, for example to produce a top class jumping horse only prestigious jumping blood lines are used to produce a horse with the physical attributes and athletic ability which is needed for show jumping.

Quality Sports horses have certain attributes which incorporates the following:

o Correct confirmation – Sports horses should have correct confirmation as this has a direct affect on the movement and jumping capabilities of the horse.

o Temperament – Sports horses must have a trainable and willing nature.

o Movement – Sports horse should have an athletic gait with good suspension in trot and canter.

o Jumping ability – Sports horses that are bred for jumping have excellent jumping form and conformation that allows them to jump higher.

If you are looking to buy a horse to compete, a sports horse would be a very good choice. You should set yourself some guide lines on the criteria of the horse you wish to buy; a good place to start is to identify your capabilities as a rider. Less experienced riders should look for an older experienced horse that knows its job; an accomplished rider may want to bring on a younger horse and take it through the grades, it is absolutely essential for the rider to realise their capabilities. Unfortunately many people make the mistake of “over horsing themselves” this is when a less experienced rider has bought a horse that is far too much for the rider to handle. This can ruin good horses and ruin a rider’s confidence. Set a budget, the height range that would suit you best and what you intend to do with the horse. This will narrow down the market and get you focused on the right market of horses for sale.

There is an abundance of Sport horses for sale currently in the U.K. you only have to look briefly at the equestrian classifieds and you will be sure to see several advertisers offering Sports horses for sale. There are many competition yards that have Sports horses for sale.

 Professional horse producers will often travel to Ireland and mainland Europe to source Sport horses from breeders and farmers.  The horses that are brought back to the U.K. are to be sold to the equestrian competition market. A good professional horse producer will help you find the right horse; you will usually find that there will be quite a few Sports horses for sale at any one yard so you will have plenty of Sports Horses for Sale to view. There are lots of yards devoted Sports horses for sale, so you will always have plenty of horses to look at, if they don’t have a horse that is suitable they will often be able to source a Sports horse for sale that meets your requirements, as they are more than likely to have established equestrian links with farmers and breeders overseas.

It is also possible for you to go to Ireland or the Continent to look for a Sport horses for sale yourself. It is good to look on the internet for Sports Horses for Sale to see if there are any abroad that you like, many yards will offer a service where they collect you from the airport and accommodate you while you view their Sport horses for sale.

If you are ever in doubt about what horse would be most suitable for you must always seek professional help from a reputable source, a person who has expertise in your preferred discipline.

Sports Horses for Sale [http://www.horsewizard.co.uk/marketplace?page=show_category&catid=39]

Horses for Sale

Author: Paul Simms
Article Source: EzineArticles.com
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