It’s summer (Finally!), and lots of you are getting ready to compete your dressage horse. So I want give you some competition tips to help you have the best experience possible. Before I get started with the actual tests, I want to just talk in general about test riding because there’s a lot of things that all the dressage tests have in common.

1. MEMORIZE YOUR TEST

The first thing is that you need to know your dressage test. I mean REALLY know it. Even though the Training through 4th level dressage tests, can be read out loud, it’s still important that you really know your test. This is critical so your test doesn’t look like a bunch of movements strung together. That way you can use the reader if you occasionally blank out. But for the most part, you won’t even be listening to the reader because you’ll be paying attention to your horse.

Your goal is to be able to do the test on autopilot, so that you can reserve all of your focus for riding your horse. You want to be riding your horse not concentrating on what comes next in the pattern. To help you do this, start memorizing your test early on. I have 3 different ways that I memorize tests.

1. Visualization-I know that it takes approximately 21 days to develop a habit. So I start visualizing my test every day at least 3 weeks before a show. I sit in an easy chair or lie down on my bed, close my eyes, and take 3 really deep breaths. You want to do diaphragmatic breathing, so as you inhale, feel like your stomach is getting fat. That means you’re taking air way down into the bottom of your lungs. As you exhale, feel yourself sinking into the chair or bed.
Visualizing your test is going to help you do two things. First, it’s going to help you memorize your test. Secondly, when you visualize the perfect ride, you program your subconscious mind to ride correctly. That’s because when you do “perfect practice” in your mind’s eye, your muscles will fire in the correct way.

As you visualize, go through your ride stride for stride. Fill in as much detail as you can. What are you wearing? What does your horse look like? What does the arena look like? What color is your jacket? What color are your gloves?
Fill in as many details as you can AND include your senses. Hear the rhythm of the footfalls. Feel the contact with your horse’s mouth. See your horse’s head and neck out in front of you. Smell the fly spray. Also, add emotion to your mental movies. Experience yourself feeling calm, relaxed, poised and the harmony of being at one with your horse.

2. Do your test on foot.
Another thing I do is that my living room rug tends to be a rectangle, and I walk out and trot out and canter out the parts of the dressage tests as if I were riding them. So I actually, and you can do this in a regular dressage arena if you want, of course it will take you a long time to walk, trot and canter around an entire dressage arena although I have seen people do that. But if you have a big rectangular area or just mark off an area and trot down the center line, do your halts, trot off, plan where you’re going to turn, walk where you’re supposed to walk, canter where you’re supposed to canter. So you actually have a chance to physically practice.

3. Know your test “forwards and backwards”. The third way that I memorize a test is to learn it the way it’s written from the first entry to the final salute. But then, to know that I “own” that test, I pick any movement and ask myself what comes after it. And here’s the real thing that tells the story, I ask myself, “And what movement comes before this movement?” So I might say, “What comes before the left canter depart?” or “What comes before the free walk?” or “What comes after the trot lengthening?” When you can pick any point within the test and you can answer those two questions, you really own that test. Also, if you do happen to blank out in the middle of the test, you’ll be able to remember where you are very easily.

2. THE ENTRY

Now let’s talk about the movements that all of the dressage tests have in common. First, they all have an entry. You have to get into the arena. So I’m going to start while you’re going around the arena. What you do as you go around the arena really depends on your horse. I find it helpful to just walk around the arena with tense horses. I know that things look different to a horse from the left side and the right side. So, I’ll walk by the judge’s stand then I’ll turn around and walk by so the horse can see the judge’s stand from the other eye. And then, I’ll actually turn and face the judge’s stand, halt, and pat my horse. I know that my horse is going to see two weird people in the judge’s booth when we come down the centerline. I want him to have already seen them and know that he doesn’t have to be worried.

For the horse that tends to be a little behind the leg, you might decide to do some rising trot lengthening outside the arena. That way you can make sure that your horse is in front of the leg and that you really get his motor going.
Or let’s say you have a horse that is spooky or to tends to get a little on the forehand. Do a little shoulder-in when you’re still outside the arena. The next thing that you have to think about is whether you’re going to enter from the right rein or from the left rein? If your horse is fairly straight, enter from the direction you’ll be turning at C. That will trigger your memory if you blank out and forget which way to turn at C. So, if I’m going to be turning right at C, I normally enter from the right rein. I enter from the left rein if I’m going to be turning left at C.

However, let’s say I have a horse that’s really hollow to the left (meaning he likes to bend his neck and carry his hind quarters to the left then); I’ll enter from the right. That’s because he’ll be straighter, and I don’t want the judge’s first impression to be that my horse is crooked.

Now, as you come down that centerline, look up, and make eye contact with the judge. This is part of showmanship. No matter how you’re really feeling, look confident, put a smile on your face, and come down that centerline like you own that arena.

3. THE HALT

Now, let’s talk about the halt. The way you approach the halt is different depending on the level of the test. If you’re doing a Training or Intro test, you can walk into your halt. You can also take a step or two of walk out of the halt into the trot.

From First Level and above, there are no walk steps. If you enter in the trot, go directly to the halt from the trot and then back to the trot after your salute. If you’re doing one of the higher level tests and you’re entering into the canter, go directly from canter to the halt.

Once you’re in the halt, you need to salute. The most common way to salute is to take all the reins in your left hand. Drop your right arm loosely behind your thigh. Nod your head keeping eye contact with the judge. Don’t make this big extravagant bow. You want to acknowledge the judge, but you want it to look crisp and efficient.

A man can actually salute in the same way. He can take the reins in one hand, drop his hand loosely behind one thigh, and nod his head. Or he can take his hat off, put it behind his thigh, and nod his head. If you do take your hat off, make sure the top of the hat (not the inside of the hat) faces the judge.

Take your time in the halt so you can really show that your horse is on the aids. However, if he starts to move, go ahead and pick up the trot. You’ll get a better mark for a halt that’s too quick as compared to letting your horse move forward and then trying to halt again.

If you feel like your dressage horse drops behind your leg in the halt, “breathe” your legs to help him react more quickly to your driving aids. To “breathe” your legs, take them ever so slightly off his sides. Bring them back an inch or two, and then place them on his sides lightly again.

As you finish your centerline, keep your horse straight. Pretend you’re going to lengthen toward the judge so you ride him between the channel of your legs and hands. Then warn him that he’s going either left or right by asking for flexion at the poll when you’re a couple of strides before C.

4. CORNERS AND DIAGONALS

Okay, you’re in the arena. No matter what level you’re doing, you have to ride corners. The general rule for riding corners is that you don’t have to go any deeper into the corners than the smallest circle done at each level.
So, the smallest circle you’re asked to do for First Level is a 10-meter circle. That means you need to get into the corner to the depth of one quarter of a 10-meter circle. At Training Level, the smallest circle you’re required to do is a 20-meter circle. So you really don’t have to get into the corners any deeper than the arc of a 20-meter circle.

But if you can show a difference between the line that you follow when you’re going into a corner and the line that you follow when you’re on your 20-meter circle, you show the judge that you’re a savvy rider. If that’s pretty simple for him, try to show a 3-meter difference between the line you’d follow if you were going into a corner and the line you’d follow if you were on a 20-meter circle. That shows a real clear difference between getting into the corner and being on a circle.

Your rule of thumb is to ride into the corner as deep as your dressage horse can manage-That is, he can keep the same rhythm, tempo, balance and quality of his gait. The next things that all the tests have in common are diagonal lines. Here’s what I’d suggest. First, ride deep into the corner before you turn onto the diagonal. Then look at a point about a half-meter before the final letter on the long side. Aim for that spot when you go across the diagonal. By looking a little bit before the letter, you’ll have more time to really balance your horse for the next corner.

5. TRANSITIONS

Another thing that all the tests have in common is that you have transitions from gait to gait. And with the more advanced tests, you also have transitions within the gait. First, let’s look at transitions from gait to gait. Always prepare for those transitions with half halts. However, the particular version of the half halt you give depends on the way your horse feels prior to the transition. This is because a transition can be no better than the stride just before the transition.

If your dressage horse is well schooled, obedient, and is solidly on the bit, you can give what I call “Preparatory Half Halts”. That’s a momentary closure of seat, leg and hand–Take/give, take/give, take/give. Direct those half halts to the inside hind leg. Give the half halts when the inside hind leg is on the ground just before it’s ready to push off. You need to time these half halts when the inside hind leg is on the ground because that’s really the only time you can influence a hind leg. Once it’s in the air, it’s already committed to its flight.

Your goal is to engage the inside hind leg prior to the transition. Give three Preparatory Half Halts prior to the down transition. Let’s say, for example, that you want to go from trot to walk. When you feel the inside hind leg on the ground, say something like, “Engage, engage, engage, walk”. Or you can say, “Now, now, now, walk”. So you might ask me at this point, “Well how do I know when a hind leg is on the ground?” When a particular hind leg is on the ground, your horse’s hip will feel higher. You’ll feel your inside seat bone either being pushed up or being pushed forward. When I’m getting ready to do a downward transition, I tune into my seatbones. I feel which of my seat bones is being pushed up in the air or forward. So I get into the timing of the inside hind leg being on the ground.

Then, 3 strides before the letter, I give my half halts. I’ll say, “Now, now, now, walk,” or if I’m cantering, and I want to trot, I’ll say, “Now, now, now, trot.” It’s pretty easy to feel the inside hind leg in the walk and in the trot. In the canter, feel the moment when your seat is deepest in the saddle. It’s also the moment when your horse’s mane flips up. So you can coordinate what you see with what you feel.

That’s how I prepare for transitions so that I ride a very accurate test. I know how much ground my horse covers with each stride. So, when I’m 3 strides away from where I’ll be doing a down transition, I give my 3 Preparatory Half Halts– that momentary closure of seat, leg and hand directed to the inside hind leg being on the ground. Now, let’s take another scenario. If my horse doesn’t feel solidly on the bit, I need to give a different version of the half halt which I call the “Connecting Half Halt” because I want to be sure that my horse stays on the bit through both upward transitions and downward transitions.

I superimpose the “Connecting Half Halt” before, during and for at least two strides after the transitions. So, I bridge 0r overlap the transitions with a connecting half halt as an insurance policy so that my horse stays on the bit through the transitions. My aids are saying, “Stay on the bit through this transition”. Let’s say I’m going to ask my dressage horse to do a downward transition from canter to trot.

Two or three strides before the transition, I begin my connecting half halt. I press with both legs as if I’m going toward a medium canter. I close my outside hand in a fist to recycle that energy. And I vibrate the inside rein so the horse doesn’t bend his neck to the outside. Then, I ask for the downward transition by tightening my stomach muscles and “stilling” my seat. But I keep giving the half halt during and for at least two strides after the transition.

Author: Jane Savoie
Article Source: EzineArticles.com
Provided by: Hybrid and Electric Cars

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